STUDIO
Where material becomes discovery.
THE STUDIO / INTRODUCTION
The studio is a place of experimentation rather than execution. Metal, wood, industrial paint and language enter the work through gesture and intuition; the final image is discovered through the encounter with material.
MATERIAL / SURFACE
A surface that resists and responds.
Fedida works beyond traditional canvas, drawing on construction materials such as metal, wood, glass and stone, alongside paint and rich color. The nature of each surface becomes part of the visual language.
Hebrew letters and abstract gestures meet these physical grounds. Layers, marks and the unpredictable behavior of materials help give form to ideas that begin beyond the visible.
PROCESS / DISCOVERY
The work takes shape in the making.
Rather than begin with a fully resolved image, the work opens a dialogue between gesture and material. Decisions emerge from what happens on the surface: an interruption, a layer, a mark, an unexpected relationship.
The concern with Bereshit — the act of beginning — finds a physical counterpart here. Painting becomes a way to consider potential, emergence and transformation through the materials themselves.
FILM / STUDIO STORY
A Studio Story
ARTIST VOICE
“We can create and recreate ourselves at any given moment.”
IGAL FEDIDA / AISH, NOVEMBER 2026
CONTINUE